Tuesday, May 26, 2009

Inside the Envelope

Vogue Paris Original #1897, Yves Saint Laurent


I promised a peek inside the envelope of this one, so here it is. This one was published in the late 60's, and after some research, I'm going to strongly guess 1968. The reason for this is because pattern #1896 was also a YSL and was featured in the Vogue Pattern Book Feb./Mar. 1968. In addition to that, the hair styles and shoes also indicate to me the late 1960's.

While the design is not a fussy or unusually draped 40's or 50's cocktail gown, this design is still full of couture details. You can see from the pattern pieces below the simple shapes of the ensemble.

The first thing I found inside the envelope was the sew in label and a card to mail away for a subscription to the "fashion-packed issues of Vogue Pattern Book International". As a "BONUS! I earn 1 extra free issue by sending payment with my order." A mere $3.50 order, might I add. This one also has the sew in Vogue Paris Original label. Once you were done sewing your creation in grand couture style, you could sew a label in it.

Couture details start with the fabrics and notions and this outfit is no exception. In addition to fashion fabric and lining, the dress calls for two different types of underlining, one soft and one crisp; also note the notions needed:

The underlinings are basted to the wrong side of the fashion fabric, and the instructions are concise and clear about what needs to be basted and how to do it:

Did you note the two 4" zippers in the notions list? These two little zippers are used in the sleeves. The sleeves are cut so narrow that the hand would not fit through, so a zipper is used to make it wide enough to put on.

The skirt hem is not only interfaced, but it also has horsehair to make it stand out a bit and keep the a-line shape. The fabrics suggested for the ensemble include moire, velvet, ottoman and brocade, so this makes sense, as these are heavier fabrics. Note too, that the ends of the horsehair braid where they meet are finished with bias binding - that stuff can be stiff and scratchy if not covered. The hem is then turned up and stitched in place, covering up the interfacing and horsehair.

The cape, too, has interesting details. The front interfacing neck darts are not stitched, but rather trimmed, abutted and reinforced with seam binding. It is less bulky and more balanced to stitch the dart this way.

The hem for the cape has details and specific instructions, too. Notice the instructions after stitching the hem to the underlining only. It says: To press, hold iron over hem. Steam, never resting iron on fabric. Pat lightly with pounder or ruler. This makes for a softer edge rather than the hard crease that is produced when a hem is flattened by steam and the weight of the iron.

The main feature of the cape is of course, the optional fur trim. Suggested furs include: sable mink, fox or rabbit. Do note, that if you don't prefer to make the optional yourself, you can always have the furrier do it.

The first thing that is done is that a taffeta stay is made in the shape of the trim. You can see that in the bottom of the photo above. The edges are turned in and basted in placed. The fur pelts are then shaped. Note that fur has a nap and in order for the fur to lie in the correct direction down each side of the cape, it will need to be cut and reassembled at the center back neck.

The fur is then eased into the proper shape, note that where it turns the corner at the neck edge, a wedge has been removed and the edges sewn together. The taffeta stay is then stitched to the pelt side of the fur. Once that is done, the trim is hand sewn around all the cape edges.

Interesting pattern, with details you don't always see today, especially the fur.

Tomorrow - Garden Path update!

Parting Shot: Fire Pit, V 2.0. My husband rebuilt the fire pit over the weekend. It really is composed of cinder blocks, but looks more natural in the ring shape and with the other natural rocks around it. It is a better design for fires, too since there is better airflow around and through the pit. We tested it Sunday night and it works much better than the old one.

15 comments:

Els said...

Thanks for sharing the exquisite thorough sewing techniques, too bad that nowadays it is just plain, simple and quick.
Today there was an article about the anniversary of Knipmode 40 year’s celebration in The Dutch National newspaper about how the patterns changed in 40 years, from complex and couture to simple and quick to make.

Vicki said...

Amazing pattern. Would never have realised it had so much detail. I wonder where you could possibly wear such a creation (then or now). Very royal with the cape.

Mary Beth said...

Love the trip down memory lane here :) I miss those Vogues!!! Thanks Summerset

Trudy Callan said...

Thanks for sharing.

www.sewingwithtrudy.blogspot.com

Claudine said...

That was really interesting. Thanks for all the details.

Carolyn (cmarie12) said...

It is awesome that you take the time to share the information (plus pics) contained in these patterns with us. Thanks for that!

Marie-Noƫlle said...

If you like vintage Yves Saint Laurent, you'll love the prize I am offering for Sew Mama Sew's Giveaway
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Lindsay T said...

Ooh, that is the coolest pattern and I love seeing all those details. Sigh, things were different back then. I mean, being able to make cute clothes quickly is nice, but sometimes a person wants to go the extra yard...

Anonymous said...

OK, this just brings back way too many memories. I had this exact pattern (sans the cape)for my Senior Prom. It was a delicate green, white and silver brocade with drop pearls around the midriff, sleeveless. There is a picture of me wearing it in my yearbook. I graduated in 1971 so the pattern probably came out in the winter of 1969 or 70. I can remember picking out the pattern, cloth, and trim at Belks! What a great memory.
Mom

Bunny said...

How can someone fail with fabulous directions like these? Thanks for the inside peek. It sure would be nice if today's patterns were as explicit.

Shannon said...

That is such a beautiful pattern - thanks for the glimpse inside!

Ann's Fashion Studio said...

Great post! Thank you for sharing :)

Nancy K said...

I hate Very Easy Vogue patterns! The easy directions makes the look so amateurish. These instructions are so wonderful and complete. I made an Emanuel Ungaro dress with zippers in the sleeves just like those in the 80's, so they were still making patterns that came with complete directions and a label! It was a wonderful dress with great instructions, but these are really amazing directions. How many pages dod they run?

Tany said...

What a fabulous pattern! Thank you for sharing all this, Summerset! I really love peeking inside these vintage treasures!

kathleen said...

I hate leaving vapid me-too comments that don't add any value but I just love the illustrations in vintage patterns. Modern CAD illustrator files are crisp and clean but... they just lack, well, soul.